CV & research

creative work




University of Washington profile
Academia.edu profile


My scholarship investigates queer critique in the context of US, Japanese and other imperialisms in the transpacific, or what I call "queer transpacific critique." My dissertation-in-progress takes an historical, literary and filmic approach to analyzing the intersection of Asian racialization and queer exclusion/inclusion to better elucidate the workings of 20th- and 21st-century empire. The project aims to contribute to Asian/American studies, queer studies and critical race studies.

I'm also interested in queer new media. In "Rethinking Yaoi on the Regional and Global Scale" (2015), I theorize the proliferation of yaoi or boys' love (a Japanese feminist-queer multimedia genre) in East Asia as gender/sexual equality has become a global bellwether for modernity.

At the University of Washington, I've taught 100-level expository writing courses, as well as developed and taught a 200-level course titled "Afro Asia and US Multiculturalism." Students in this course engaged with Asian American and black internationalist literary texts to think through shifts in 20th-century racialization while paying particular attention to sites of interracial alliance.

My earlier work engaged the intersection of US LGBT politics, identity and conservative religion, namely Mormonism, in the lead-up to US legalization of same-sex marriage (2015). In "Mormon and Queer at the Crossroads" (2011), published in the Mormon journal Dialogue, I turn to the insights of queer theorist Eve Sedgwick to analyze changes in Mormon discourse on homosexuality and gender from the 1950s to the 2000s. My editorial piece, "The Curious Case of Mormons and LGBT Rights," (2013) explains how US LGBT politicking through the state is insufficient because civil rights shore up difference in the interests of private property, including for spheres in which same-sex intimacy is a "sin"; the Mormon Church successfully experimented with LGBT rights in Utah to this effect.

© 2018 Alan Michael Williams