My research deploys queer and critical race critique to thinking about the inter-imperial transpacific. I'm currently revamping my dissertation, Queering the Transpacific: Race and Sexuality across the U.S. and Japanese Empires (2020), into a book manuscript. The project, which sources from Asian American and Ethnic studies, Asian studies and Queer studies, utilizes historical, literary and filmic approaches to analyze the intersection of transpacific racialization and queer exclusion/inclusion in order to better elucidate the workings of 20th- and 21st-century empire.
I'm also completing an essay that thinks through W.E.B. Du Bois' notion of the "color line within the color line" in the contexts of both the transwar transpacific and the present day.
Queer visual culture has been another interest. In my article "Rethinking Yaoi on the Regional and Global Scale" (2015), I theorize the proliferation of yaoi or Boys' Love media (a feminist-queer multimedia genre) in East Asia as gender/sexual equality has become a global bellwether for modernity.
My earlier work engaged the intersection of U.S. LGBT politics, identity and conservative religion, namely Mormonism, in the lead-up to the 2015 U.S. legalization of same-sex marriage. In "Mormon and Queer at the Crossroads" (2011), published in the Mormon journal Dialogue, I analyze paradigm shifts in Mormon discourse on homosexuality and gender from the 1950s to the 2000s. My editorial piece, "The Curious Case of Mormons and LGBT Rights," (2013) explains how U.S. LGBT politicking has been insufficient because civil rights as drawn up by the U.S. state shore up difference in the interests of private property, including for spheres in which same-sex intimacy is a "sin." The Mormon Church has successfully experimented with LGBT rights in Utah to this effect.
As an instructor at the University of Washington, I've taught interdisciplinary writing, expository writing with a focus on Asian American literature and critical race theory, as well as courses about U.S. racialization.